Alona has performed in the US, UK, and in Ukraine, and has worked professionally with companies across the USA including Paper Mill Playhouse (NJ), Just Theatre (CA), Two Roads Performance Project (MA), Berkeley Playhouse (CA), Custom Made Theater Company (CA), Mesaper Theater (NY), and Symmetry Theatre (CA). Some of the wacky things she has done onstage include: running up a wall trailing sand through her fingers (Antigonick, Ismene, dir. Ianthe Demos, Harvard/ART Loeb Mainstage), getting crowned King of England in a furry onesie (Edward II, Edward III, dir. Caroline Steinbeis, Cambridge Arts Theatre), and playing the bow-and-arrow-toting sister of her real-life-sister (Narnia, Susan, dir. Jon Tracy, Berkeley Playhouse). She has trained at Atlantic Theatre Company, New England Puppet Intensive, and with Remo Airaldi. Alona holds a BA in History of Science and Dramatic Arts from Harvard, where she was named a finalist for the Jonathan Levy Award for Most Promising Actor at the University. She is a founding company member of Night Train Theatre Company.

Photo by Pak Han.

Patience Wee in Patience Worth by Michelle Carter, dir. Erika Chong Shuch (Symmetry Theatre). Photo by Pak Han.